Browsing the archives for the Entrepreneurial Skills category

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Writer’s Worth Day

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Alternative Lifestyles, Entrepreneurial Skills, Freelance Writing

Friday May 14th 2010 is a day that every writer and every potential writer, should mark in their calendar as a special day. Friday May 14th 2010 is Writer’s Worth Day.

Three years ago, professional writer Lori Widmer began Writer’s Worth Day out of frustration at how little respect (and how little pay!) professional writers are receiving. If writers don’t value themselves appropriately, why should any one else? So this is a day – one day out of the year – when writers and those they deal with can reflect on the true value of a professional writer’s words!

If you are interested in finding out more about Writer’s Worth Day then follow the widget below to Lori Widmer’s blog (http://loriwidmer.blogspot.com) where you will find some interesting info on what it takes to be a writer – oh, yeah, and some great pieces on how to value your worth.

Writer's Worth Day

May 14th 2010. A day to appreciate your value as a writer.

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The Writer Nomad

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Alternative Lifestyles, Entrepreneurial Skills, Freelance Writing, Lifestyle Design Skills, Location Independent Professionals, Online Business

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In order for a nomad to also be an entrepreneur, the career they choose to develop must be portable. It can’t be tied to a physical location by clients, by technology, by products, by visas, by whatever……

Writing has long been the most portable of all careers. Even today, when we think of travel and entrepreneurship the image that pops into most people’s minds would be that of the travel writer or some other type of non-fiction article or book writer or  published author of some kind. Writing gives nomads the flexibility to earn money anywhere, and doesn’t tie a nomad to a specific technology – if your computer gets lost or stolen, or stops working, you can always use a pen and a notebook or a napkin or any scrap paper to write on.

(I can hear a number of you, dear readers, expressing a collective “Well, Duh!!, but please bear with me for another moment or two)…………….

continued on the Writer Nomad’s Skills page at http://www.agelessnomads.com/the-writer-nomads-skills

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Why Develop a Skills Portfolio?

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Alternative Lifestyles, Baby Boomers, Entrepreneurial Skills, Lifestyle Design Skills, Online Business, Technical Skills

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Everyone is born with natural talents but no-one is born with the skills needed to take advantage of these natural talents.

Natural talents tend to be associated with activities that are so easy for us to do that we do them without really having to think about them or make much of an effort. Natural talents include such attributes as: artistic, creative, entrepreneurial, detail oriented, mathematical, imaginative, innovative, mechanically minded,  practical, literary, persuasive, articulate, etc.

Natural talents on their own don’t really count for much. They are merely unfulfilled potential without the development of skills.

By developing a ’skills portfolio’ you can identify patterns that can help you discover your natural talents, as well as help you identify skills that you would like to develop in order to fulfill specific personal goals.

What Are Skills?

I’m glad you asked that question. Skills are learned and practiced abilities. They are influenced by our natural talents. Skills are much easier to develop in areas we have a natural talent for. However, even without a natural talent, skills can still be developed for activities and topics that a person has an interest in.

As an example, if a person has  a natural entrepreneurial talent , they still need to develop specific entrepreneurial skills, such as developing a viable business plan, finding clients, marketing, etc., for the natural entrepreneurial talent to be of any value.

On the other hand, if an individual has a personal interest in becoming an entrepreneur but they don’t have a natural entrepreneurial talent, they can still become an entrepreneur by learning and developing entrepreneurial skills. The process of becoming an entrepreneur will take longer and be more challenging for a person who does not possess a natural entrepreneurial talent, but it is still doable.

5 Basic Skills Groups

For anyone interested in undergoing a major transition in their life, it is a good idea to begin by identify our current skills set, including those associated with our natural talents. Knowing our current skills set can help us identify activities we want to include in, for example:

  • a new lifestyle we are trying to design (including a nomadic one); or
  • a new career we are trying to break into; or
  • a new enterprise we are trying to develop.

The catch here (and there is generally a catch with this type of activity) is that identifying skills, particularly those associated with a natural talent, is not an easy task.

In her book, The New Zealand Guide to Transferable Skills, Christine Dekker identifies and defines 5 basic skills groups that are very useful at helping people identify what skills they have developed.

These skills groups are:

  1. Physical/Practical
    1. Working with things and the physical environment; using your hands and body skillfully.
    2. Examples of physical/practical skills include: assembling, building, fitting, fixing, installing, maintaining, repairing, restoring, ordering, using.
  2. Creative/Artistic
    1. Working in a visual medium or with words or sound to express ideas/emotions; using imagination; being innovative.
    2. This group can be divided into: words and ideas; visual; performing.
    3. Examples of creative/artistic skills include: (words and ideas) writing, symbolising, interpreting, modifying, expressing, scripting (visual) color coordinating, decorating, fashioning, styling, forming, drawing, (performing) acting, composing, entertaining, modeling, role-playing, staging.
  3. Communication/Interpersonal
    1. Working with people; any interaction or information exchange between people; using language; understanding.
    2. This group can be divided into: ‘key’ communication skills; teaching; relationship-building; facilitating/leading; problem-solving; marketing.
    3. Examples of communication/interpersonal skills include: (‘key’ communication skills) answering, briefing, articulating, writing, reporting, describing, enquiring, conversing; (teaching) advising, coaching, disseminating, explaining, training, instructing; (relationship-building) affirming, appreciating, nurturing, team-building, guiding, empowering, listening, supporting; (facilitating/leading) brainstorming, chairing, directing, motivating, stimulating; (problem-solving) arbitrating, conciliating, mediating, negotiating, reconciling, resolving; (marketing) advertising, representing, selling, convincing.
  4. Organization/Management
    1. Bringing resources/people together; making something work together as a whole; using initiative and vision; having an overall picture or goal.
    2. This group can be divided into: to do with time; to do with resources; to do with people and tasks.
    3. Examples of organization/management skills include: (to do with time) forecasting, planning, predicting, scheduling; (to do with resources) allocating, budgeting, grouping, purchasing, sorting; (to do with people and tasks) administrating, coordinating, delegating, monitoring, networking, recruiting, reviewing, supervising.
  5. Information Processing
    1. Working with facts, figures, concepts; using thinking/computing skills.
    2. This group can be divided into:’key’ thinking skills; language and ideas; facts and figures.
    3. Examples of information processing skills include: (‘key’ thinking skills) comprehending, thinking, studying, perceiving, reading, judging, listening, identifying; (language and ideas) appraising, preparing, conceptualising, defining, reporting, editing, summarising, theorising, revising; (facts and figures) analysing, auditing, assessing, compiling, estimating, evaluating, recording, quoting, processing, mapping, measuring.

How do you know if you have identified a skill?

Skills can be so many different things. In the book mentioned above, the author listed over 300 unique skills. Each skill is identified as an action verb, and in the lists presented in the book each skill generally ended with an -ing.

To begin identifying your skills, try completing the following sentence:

I am good at _________________________.

Now that I have Identified a List of Skills, What do I do Next?

Use the skills you have identified in the 5 basic skills groups to develop a skills portfolio by identifying:

  1. which skills you are best at;
  2. which skills you enjoy using the most; and
  3. which skills you would like to improve.

Now, using your skills portfolio, try answering the following questions:

  1. Can you identify any patterns emerging from your skills portfolio? Any activities that you enjoy doing, have strong skills in, and can be used to enhance your lifestyle?
  2. Are there a group of skills that you have identified that can be associated with a specific natural talent? Are there other skills that you can develop that will help you enhance this natural talent?
  3. Are there skills that you can use that will help you identify activities you would like to try, new activities that you can use to help you design a new authentic lifestyle with?
  4. Are there skills that you can build on in order to develop an enterprise with? One that you have already developed skills in so you know that you would enjoy doing, and feel confident you could turn into a successful money-making enterprise?
  5. Have you identified any new skills that you would like to develop? Or old skills that you absolutely want to have nothing more to do with?

Tip: If you are having difficulties identifying your skills, ask friends, family members, co-workers, etc., if they can identify some of your skills for you, to get you started. We tend to devalue or overlook skills that are associated with natural talents because we find them so easy and effortless to do, whereas people who know us would easily be able to identify these skills for us.

TTFN

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UNESCO’s 19 Creative Cities and Their Relevance to Creative Nomads

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Entrepreneurial Skills, Online Business, Travel
UNESCO

UNESCO

In 2004, UNESCO launched the Creative Cities Network, and has been building on this initiative ever since. But why is this something that creative location independent professionals should be aware of?? Let me explain.

The purpose behind this international network of creative cities is not just to promote these cities as great cultural and creative places to visit (which they all are, of course), but to encourage these cities to create policies and programs aimed at developing Creative Entrepreneurship, Creative Industries, and Creative Tourism. That is quite a task.

To be part of this Creative Cities Network, cities must adhere to specific policies defined by UNESCO. One policy that I found quite impressive was the following:

A key ingredient is the creation of public/private partnerships that help unlock the entrepreneurial and creative potential of small enterprises, which play an important role in the new economy. To underpin their development, small creative businesses also need innovative talent, and therefore cities with strong contemporary art, fashion, craft, music and design schools are most likely to flourish. The Creative Cities Network

And here is where the relevance to creative location independent professionals kicks in. If you are looking for a city to visit and are interested in finding a city that might:

  • provide you with creative inspiration,
  • recharge your creativity (see my earlier post on this topic),
  • provide you with some business contacts, partners and/or clients,

then you might want to have a look at the following list of cities. See if there is a city listed here that attracts your attention or is working to develop small creative businesses that are either based on your creative talents or are a great compliment to your talents.

At the moment, there are 19 cities that are part of UNESCO’s Creative Cities Network, with at least 20 more cities currently under consideration.

Cities that are already part of UNESCO’s Creative Cities Network, listed by the creative discipline they excel at, are:

UNESCO Cities of Craft and Folk Art
Aswan, Egypt
Santa Fe, New Mexico, USA
Kanazawa, Japan

UNESCO Cities of Design
Berlin, Germany
Buenos Aires, Argentina
Montreal, Canada
Nagoya, Japan
Kobe, Japan
Shenzhen, China

UNESCO City of Film
Bradford, UK

UNESCO City of Gastronomy
Popayan, Colombia

UNESCO Cities of Literature
Edinburgh, UK
Melbourne, Australia
Iowa City, USA

UNESCO Cities of Music
Bologna, Italy
Seville, Spain
Glasgow, UK
Ghent, Belgium

UNESCO City of Media Arts
Lyon, France

The cities above that are in red, are linked to UNESCO pages that have information about the city and the efforts being made to fulfill the city’s obligations in this program.

TTFN

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Recharging Your Creativity

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Entrepreneurial Skills, Lifestyle Design Skills, Travel

When you are a nomad, or a traveling location independent professional, where you locate yourself while you are traveling can be, and sometimes needs to be, more than just an interesting place.

Being a creative person is hard work, especially when your business depends on your being creative for extended periods of times and over an unending stream of projects. Add to this the effort required to keep up-to-date with constantly changing technologies, keep an eye on changing trends and client demands, as well as re-establishing yourself in new surroundings every few months…..and the potential for creativity blocks of various lengths and intensities seems almost inevitable.

What do you do when you find that the creative flow isn’t flowing as easily as it should?

One thing that you could do is to look at what creative individuals look for in a community or a city that they plan to settle into, and then plan to spend some time in those locations. Creative individuals, according to Richard Florida, look for communities or cities that offer “…abundant high-quality amenities and experiences, an openness to diversity of all kinds, and above all else the opportunity to validate their identities as creative people.” (The Rise of The Creative Class, page 218). For example, in Toronto there are a couple of ‘creative districts’, Queen Street West, Liberty Village, St. Lawrence Market area, The Beaches, and a few others, where creatives and creative entrepreneurs congregate.

This is great for creatives who want to settle into an area, but what does a creative that just wants to spend a few months in the area actually get out of being in a creative community instead of any other community?

For starters, you get to be surrounded by creative people and that energy that creative people seem to generate. Spending time in creative communities is like a professional attending a professional development conference. These professionals generally come away from professional development conferences feeling recharged and excited after having spent some time learning about what is new and upcoming in their field, discussing tends and opportunities with cohorts, commiserating with people who understand their field and speak their jargon.

Similar kinds of experiences can be gained when creative people spend time in creative communities. For example, if you are a graphic designer, look for an area in a city where a lot of graphic design firms are located. Spending a couple of hours a day in the local coffee shops, or pubs, or other gathering places, listening to conversations can give you the ‘water cooler conversations’ that you miss by working solo – information on new trends; gossip about clients and their demands – that kind of stuff. I always come away from spending time in the creative areas of Toronto feeling really creative – as if I had spent several days at a professional conference.

If you are an outgoing extrovert, then starting conversations with other creatives could result in potential business partners, potential clients, and a potentially expanded tribe. At the very least this contact with other creatives should re-validate your identity as a creative person.

How do you cope with keeping up with changing technologies, changing trends, and changing client needs while traveling – and maintain both your creativity and your sanity??

TTFN

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